aryanhwy: (Default)
[personal profile] aryanhwy
This was my project for Sunday:


Lindquistringes for Katherine Percival
Katherine MS Arundel 134 f.2

A back-log Lindquistringes, based on British Library MS Arundel 134 f. 2, France, 2nd half of the 13th C. I'm much happier with how this penwork initial turned out (the ratio of white space to colored space in the inner bit is much closer to the original), though I still feel like I don't know how to finish off the ends -- my flourishes at the end of the vertical block aren't right.

And, man, Gothic hands are my downfall. This is a very sorry attempt. I just can't seem to keep all my angles the same and all my vertical lines straight. sigh.

Date: 2010-01-27 02:10 pm (UTC)
From: [identity profile] amykb.livejournal.com
The penwork is beautiful,don't knock yourself on that--it is difficult!
If we can borrow a pen and some ink in April, let me watch your as you do gothic--I might be able to help because it might be a body thing.

Date: 2010-01-27 02:20 pm (UTC)
From: [identity profile] baronessekat.livejournal.com
Do you have access to a lightboard for your calligraphy?

If so, one thing I learned ages ago was to put a sheet of graph paper between the lightboard and the scroll. This not only gives you horizontal guide lines but also vertical ones. Helps with the up and down.

(It's because of the up and down that I try to avoid gothic.)

Date: 2010-01-27 05:18 pm (UTC)
ext_143250: 1911 Mystery lady (Default)
From: [identity profile] xrian.livejournal.com
Lightboxes are dead easy to construct: a biggish empty cardbord box, a low-wattage lightbulb stuck into a socket-on-a-cord, and a scrap piece of clear or frosted plexiglas (or glass, but plexi is less nerve-racking). I got by with that arrangement for years before I bought a real one (which admittedly does provide more space and a more even light).

Satisfy my curiosity: what the heck is a "Lindquistringes" (besides a Drachenwald award) and how do you pronounce it?

Date: 2010-01-27 07:07 pm (UTC)
From: (Anonymous)
What a blaze of colour!

I'd be happy to do some textura quadrata coaching with you if you like. A lot of blackletter/minim work has a lot to do with pen and hand position and fiddly geometries of spacing. (as, I'm sure, you realise)

Date: 2010-01-27 07:21 pm (UTC)
From: [identity profile] nusbacher.livejournal.com
The anonymous post was mine.

Date: 2010-01-27 11:23 pm (UTC)
From: [identity profile] thebronwen.livejournal.com
I agree with using a guide of some sort... I use a combination of vertical "templates" under the paper with a light box and also lightly sketching my letters in pencil (especially when I do Cadels.) Light boxes are not that hard to make, if you have anyone that has a basic wood shop... or they can be ordered on line as well. I love mine (my dad made it years ago.)

That being said, I think you are being too hard on yourself. Your work is lovely and everyone's hand is a bit different. Just keep practicing and you will notice an improvment over time... but I really think this is lovely.

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